What philosophy wants from images / D.N. Rodowick.
Rodowick, David Norman| Call Number | 302.2343 |
| Author | Rodowick, David Norman, author. |
| Title | What philosophy wants from images / D.N. Rodowick. |
| Physical Description | 1 online resource : illustrations (black and white) |
| Notes | Previously issued in print: 2018. |
| Summary | In recent decades, contemporary art has displayed an ever increasing and complicated fascination with the cinema - or, perhaps more accurately, as D.N. Rodowick shows, a certain memory of cinema. Contemporary works of film, video, and moving image installation mine a vast and virtual archive of cultural experience through elliptical and discontinuous fragments of remembered images, even as the lived experience of film and photography recedes into the past, supplanted by the digital. Rodowick here explores work by artists such as Ken Jacobs, Ernie Gehr, Victor Burgin, Harun Farocki, and others - artists who are creating forms that express a new historical consciousness of images. |
| Subject | Motion pictures Social aspects. AESTHETICS. |
| Multimedia |
Total Ratings:
0
02118nam a2200385 i 4500
001
vtls001594617
003
VRT
005
20220808223600.0
006
m||||||||d||||||||
007
cr |||||||||||
008
220808s2018 ilua fob 001|0|eng|d
020
$a 9780226513225 (ebook) : $c No price
035
$a (StDuBDS)EDZ0001816563
039
9
$y 202208082236 $z santha
040
$a StDuBDS $b eng $c StDuBDS $e rda $e pn
050
0
$a PN1995 $b .R6195 2018
082
0
4
$a 302.2343 $2 23
100
1
$a Rodowick, David Norman, $e author.
245
1
0
$a What philosophy wants from images / $c D.N. Rodowick.
264
1
$a Chicago : $b The University of Chicago Press, $c 2018.
300
$a 1 online resource : $b illustrations (black and white)
336
$a text $2 rdacontent
336
$a still image $2 rdacontent
337
$a computer $2 rdamedia
338
$a online resource $2 rdacarrier
500
$a Previously issued in print: 2018.
504
$a Includes bibliographical references and index.
520
8
$a In recent decades, contemporary art has displayed an ever increasing and complicated fascination with the cinema - or, perhaps more accurately, as D.N. Rodowick shows, a certain memory of cinema. Contemporary works of film, video, and moving image installation mine a vast and virtual archive of cultural experience through elliptical and discontinuous fragments of remembered images, even as the lived experience of film and photography recedes into the past, supplanted by the digital. Rodowick here explores work by artists such as Ken Jacobs, Ernie Gehr, Victor Burgin, Harun Farocki, and others - artists who are creating forms that express a new historical consciousness of images.
521
$a Specialized.
588
$a Description based on online resource; title from home page (viewed on September 3, 2018).
650
0
$a Motion pictures $x Social aspects.
650
0
$a AESTHETICS.
776
0
8
$i Print version : $z 9780226513058
856
4
0
$3 Chicago scholarship online $u http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226513225.001.0001/upso-9780226513058
999
$a VIRTUA
No Reviews to Display
| Summary | In recent decades, contemporary art has displayed an ever increasing and complicated fascination with the cinema - or, perhaps more accurately, as D.N. Rodowick shows, a certain memory of cinema. Contemporary works of film, video, and moving image installation mine a vast and virtual archive of cultural experience through elliptical and discontinuous fragments of remembered images, even as the lived experience of film and photography recedes into the past, supplanted by the digital. Rodowick here explores work by artists such as Ken Jacobs, Ernie Gehr, Victor Burgin, Harun Farocki, and others - artists who are creating forms that express a new historical consciousness of images. |
| Notes | Previously issued in print: 2018. |
| Subject | Motion pictures Social aspects. AESTHETICS. |
| Multimedia |