The Cambridge companion to international theatre festivals / edited by Ric Knowles.
| Call Number | 790.2 |
| Title | The Cambridge companion to international theatre festivals / edited by Ric Knowles. |
| Physical Description | 1 online resource (xii, 357 pages) : digital, PDF file(s). |
| Series | Cambridge companions to theatre and performance |
| Notes | Title from publisher's bibliographic system (viewed on 22 May 2020). |
| Summary | The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange. |
| Added Author | Knowles, Richard Paul, 1950- editor. |
| Subject | Drama festivals. Performing arts festivals. |
| Multimedia |
Total Ratings:
0
02211nam a22003738i 4500
001
vtls001594000
003
VRT
005
20220808222200.0
006
m|||||o||d||||||||
007
cr||||||||||||
008
220808s2020||||enk o ||1 0|eng|d
020
$a 9781108348447 (ebook)
020
$z 9781108425483 (hardback)
020
$z 9781108442398 (paperback)
035
$a (UkCbUP)CR9781108348447
039
9
$y 202208082222 $z santha
040
$a UkCbUP $b eng $e rda $c UkCbUP
050
0
0
$a PN1590.F47 $b C36 2020
082
0
0
$a 790.2 $2 23
245
0
4
$a The Cambridge companion to international theatre festivals / $c edited by Ric Knowles.
264
1
$a Cambridge : $b Cambridge University Press, $c 2020.
300
$a 1 online resource (xii, 357 pages) : $b digital, PDF file(s).
336
$a text $b txt $2 rdacontent
337
$a computer $b c $2 rdamedia
338
$a online resource $b cr $2 rdacarrier
490
0
$a Cambridge companions to theatre and performance
500
$a Title from publisher's bibliographic system (viewed on 22 May 2020).
520
$a The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.
650
0
$a Drama festivals.
650
0
$a Performing arts festivals.
700
1
$a Knowles, Richard Paul, $d 1950- $e editor.
776
0
8
$i Print version: $z 9781108425483
856
4
0
$u https://doi.org/10.1017/9781108348447
999
$a VIRTUA
No Reviews to Display
| Summary | The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange. |
| Notes | Title from publisher's bibliographic system (viewed on 22 May 2020). |
| Subject | Drama festivals. Performing arts festivals. |
| Multimedia |