The Routledge handbook of Shakespeare and memory / edited by Andrew Hiscock and Lina Perkins Wilder.

Call Number
822.33 R869
Title
The Routledge handbook of Shakespeare and memory / edited by Andrew Hiscock and Lina Perkins Wilder.
Shakespeare and memory
Edition
First edition.
Physical Description
1 online resource (xvii, 362 pages)
Contents
part, I Critical introductions -- chapter Introduction / chapter 1 Shakespeare, Memory, and The Early Modern Theatre / chapter 2 Shakespeare, Memory, and Print Culture / chapter 3 Shakespeare, Memory and Post-Colonial Adaptation / chapter 4 Shakespeare, Memory and The Visual Arts / chapter 5 Shakespeare, Memory, Film and Performance / chapter 6 Shakespeare, Memory, and New Media / chapter 7 Shakespeare, Memory and Contemporary Performance -- Shakespeare in Shoreditch / part, II Tragedy -- chapter 8 ‘The Raven O’Er The Infectious House’ -- Contagious memory in Romeo and Juliet and Othello / chapter 9 ‘Lest We Remember … Our Troy, Our Rome’ -- Historical and individual memory in Titus Andronicus and Troilus and Cressida / chapter 10 Fooling with Tragic Memory In Hamlet and King Lear / chapter 11 Fatal distraction -- Eclipses of memory in Julius Caesar and Antony and Cleopatra / part, III History -- chapter 12 Handling Memory In The Henriad -- Forgetting Falstaff / chapter 13 Henry VI to Richard III -- Forgetting, foreshadowing, remembering / chapter 14 Rumour’s Household -- Truth, memory, fiction, history in 2 Henry IV and All Is True / chapter 15 Cultural Memories of The Legal Repertoire In Richard III And Richard II -- Criticizing rites of succession 1 / part, IV Comedy -- chapter 16 Memory and Subjective Continuity in As You Like It and All’s Well That Ends Well / chapter 17 Veiled memory traces in Much Ado About Nothing, Pericles, and The Winter’s Tale / chapter 18 Illyria’s Memorials -- Space, memory, and genre in Shakespeare’s Twelfth Night / chapter 19 ‘Have you forgot your love?’ -- Material memory and forgetfulness in Love’s Labour’s Lost and Measure for Measure / part, V Poetry -- chapter 20 ‘Suppose Thou Dost Defend Me From What Is Past’ -- Shakespeare’sVenus and Adonis and The Rape of Lucrece and the appetite for ancient memory / chapter 21 Monumental memory and little reminders -- The fantasy of being remembered by posterity / part, VI Review -- chapter 22 The State of The Art of Memory and Shakespeare Studies /
Summary
The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. The book begins with a series of "Critical Introductions" offering an overview of memory in particular areas of Shakespeare such as theatre, print culture, visual arts, post-colonial adaptation and new media. These essays both introduce the topic but also explore specific areas such as the way in which Shakespeare’s representation in the visual arts created a national and then a global poet. The entries then develop into more specific studies of the genre of Shakespeare, with sections on Tragedy, History, Comedy and Poetry, which include insightful readings of specific key plays. The book ends with a state of the art review of the area, charting major contributions to the debate, and illuminating areas for further study. The international range of contributors explore the nature of memory in religious, political, emotional and economic terms which are not only relevant to Shakespearean times, but to the way we think and read now.
Added Author
Hiscock, Andrew, 1962- editor.
Wilder, Lina Perkins, 1976- editor.
Subject
Shakespeare, William, 1564-1616 Criticism and interpretation.
MEMORY IN LITERATURE.
Recollection (Psychology) in literature.
Multimedia
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$a First edition.
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$a Includes bibliographical references (pages 329-350) and index.
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$t part, I Critical introductions -- $t chapter Introduction / $r Andrew Hiscock Lina Perkins Wilder -- $t chapter 1 Shakespeare, Memory, and The Early Modern Theatre / $r Zackariah Long -- $t chapter 2 Shakespeare, Memory, and Print Culture / $r Amanda Watson -- $t chapter 3 Shakespeare, Memory and Post-Colonial Adaptation / $r Andrew J. Power -- $t chapter 4 Shakespeare, Memory and The Visual Arts / $r Shearer West -- $t chapter 5 Shakespeare, Memory, Film and Performance / $r Sarah Hatchuel Nathalie Vienne-Guerrin -- $t chapter 6 Shakespeare, Memory, and New Media / $r Rory Loughnane -- $t chapter 7 Shakespeare, Memory and Contemporary Performance -- $t Shakespeare in Shoreditch / $r Sarah Dustagheer -- $t part, II Tragedy -- $t chapter 8 ‘The Raven O’Er The Infectious House’ -- $t Contagious memory in Romeo and Juliet and Othello / $r Evelyn Tribble -- $t chapter 9 ‘Lest We Remember … Our Troy, Our Rome’ -- $t Historical and individual memory in Titus Andronicus and Troilus and Cressida / $r Jesús Tronch -- $t chapter 10 Fooling with Tragic Memory In Hamlet and King Lear / $r Kay Stanton -- $t chapter 11 Fatal distraction -- $t Eclipses of memory in Julius Caesar and Antony and Cleopatra / $r Jonathan Baldo -- $t part, III History -- $t chapter 12 Handling Memory In The Henriad -- $t Forgetting Falstaff / $r William E. Engel -- $t chapter 13 Henry VI to Richard III -- $t Forgetting, foreshadowing, remembering / $r Nicholas Grene -- $t chapter 14 Rumour’s Household -- $t Truth, memory, fiction, history in 2 Henry IV and All Is True / $r Ed Gieskes -- $t chapter 15 Cultural Memories of The Legal Repertoire In Richard III And Richard II -- $t Criticizing rites of succession 1 / $r Anita Gilman Sherman -- $t part, IV Comedy -- $t chapter 16 Memory and Subjective Continuity in As You Like It and All’s Well That Ends Well / $r Erin Minear -- $t chapter 17 Veiled memory traces in Much Ado About Nothing, Pericles, and The Winter’s Tale / $r Lina Perkins Wilder -- $t chapter 18 Illyria’s Memorials -- $t Space, memory, and genre in Shakespeare’s Twelfth Night / $r Susan Harlan -- $t chapter 19 ‘Have you forgot your love?’ -- $t Material memory and forgetfulness in Love’s Labour’s Lost and Measure for Measure / $r Christine Sukic -- $t part, V Poetry -- $t chapter 20 ‘Suppose Thou Dost Defend Me From What Is Past’ -- $t Shakespeare’sVenus and Adonis and The Rape of Lucrece and the appetite for ancient memory / $r Andrew Hiscock -- $t chapter 21 Monumental memory and little reminders -- $t The fantasy of being remembered by posterity / $r Grant Williams -- $t part, VI Review -- $t chapter 22 The State of The Art of Memory and Shakespeare Studies / $r Rebeca Helfer.
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$a MEMORY IN LITERATURE.
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$a Recollection (Psychology) in literature.
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$a Wilder, Lina Perkins, $d 1976- $e editor.
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Summary
The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. The book begins with a series of "Critical Introductions" offering an overview of memory in particular areas of Shakespeare such as theatre, print culture, visual arts, post-colonial adaptation and new media. These essays both introduce the topic but also explore specific areas such as the way in which Shakespeare’s representation in the visual arts created a national and then a global poet. The entries then develop into more specific studies of the genre of Shakespeare, with sections on Tragedy, History, Comedy and Poetry, which include insightful readings of specific key plays. The book ends with a state of the art review of the area, charting major contributions to the debate, and illuminating areas for further study. The international range of contributors explore the nature of memory in religious, political, emotional and economic terms which are not only relevant to Shakespearean times, but to the way we think and read now.
Contents
part, I Critical introductions -- chapter Introduction / chapter 1 Shakespeare, Memory, and The Early Modern Theatre / chapter 2 Shakespeare, Memory, and Print Culture / chapter 3 Shakespeare, Memory and Post-Colonial Adaptation / chapter 4 Shakespeare, Memory and The Visual Arts / chapter 5 Shakespeare, Memory, Film and Performance / chapter 6 Shakespeare, Memory, and New Media / chapter 7 Shakespeare, Memory and Contemporary Performance -- Shakespeare in Shoreditch / part, II Tragedy -- chapter 8 ‘The Raven O’Er The Infectious House’ -- Contagious memory in Romeo and Juliet and Othello / chapter 9 ‘Lest We Remember … Our Troy, Our Rome’ -- Historical and individual memory in Titus Andronicus and Troilus and Cressida / chapter 10 Fooling with Tragic Memory In Hamlet and King Lear / chapter 11 Fatal distraction -- Eclipses of memory in Julius Caesar and Antony and Cleopatra / part, III History -- chapter 12 Handling Memory In The Henriad -- Forgetting Falstaff / chapter 13 Henry VI to Richard III -- Forgetting, foreshadowing, remembering / chapter 14 Rumour’s Household -- Truth, memory, fiction, history in 2 Henry IV and All Is True / chapter 15 Cultural Memories of The Legal Repertoire In Richard III And Richard II -- Criticizing rites of succession 1 / part, IV Comedy -- chapter 16 Memory and Subjective Continuity in As You Like It and All’s Well That Ends Well / chapter 17 Veiled memory traces in Much Ado About Nothing, Pericles, and The Winter’s Tale / chapter 18 Illyria’s Memorials -- Space, memory, and genre in Shakespeare’s Twelfth Night / chapter 19 ‘Have you forgot your love?’ -- Material memory and forgetfulness in Love’s Labour’s Lost and Measure for Measure / part, V Poetry -- chapter 20 ‘Suppose Thou Dost Defend Me From What Is Past’ -- Shakespeare’sVenus and Adonis and The Rape of Lucrece and the appetite for ancient memory / chapter 21 Monumental memory and little reminders -- The fantasy of being remembered by posterity / part, VI Review -- chapter 22 The State of The Art of Memory and Shakespeare Studies /
Subject
Shakespeare, William, 1564-1616 Criticism and interpretation.
MEMORY IN LITERATURE.
Recollection (Psychology) in literature.
Multimedia