Time in the history of art : temporality, chronology and anachrony / edited by Dan Karlholm and Keith Moxey.
| Call Number | 709 |
| Title | Time in the history of art : temporality, chronology and anachrony / edited by Dan Karlholm and Keith Moxey. |
| Edition | First edition. |
| Physical Description | 1 online resource (264 pages) : 100 illustrations. |
| Series | Studies in art historiography |
| Contents | chapter Introduction: Telling Art’s Time / part PART I Historical Time -- chapter 1 Is History to Be Closed, Saved, or Restarted? Considering Efficient Art History / chapter 2 What Time is it in the History of Art? / part PART II Post-colonial Time -- chapter 3 Time Processes in the History of the Asian Modern / chapter 4 Colonial Modern: A Clash of Colonial and Indigenous Chronologies: The Case of India / chapter 5 Artists, Amateurs, and the Pleated Time of Ottoman Modernity / chapter 6 The Time of Translation: Victor Burgin and Sedad Eldem in Virtual Conversation / part PART III Artist’s Time -- chapter 7 Arresting What Would Otherwise Slip Away: The Waiting Images of Jacob Vrel / chapter 8 Twisted Time: Fernando Bryce’s Art of History / part PART IV Narrative Time -- chapter 9 Heterochronies: The Gospel According to Caravaggio / part PART V Ontological Time -- chapter 10 The Phenomenal Sublime: Time, Matter, Image in Mesopotamian Antiquity / chapter 11 Resisting Time: On How Temporality Shaped Medieval Choice of Materials / chapter 12 Sarah Sze’s The Last Garden and the Temporality of Wonder / part PART VI Photographic Time -- chapter 13 Showtime and Exposure Time: The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of Artworks / chapter 14 “Objects Moving are Not Impressed”: Reading into the Blur / |
| Summary | Addressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation. |
| Added Author | Karlholm, Dan, editor. Moxey, Keith P. F., 1943- editor. Taylor and Francis. |
| Subject | Art History. Time and art. Time in art. ART / Conceptual. ART / History / General. ART / History / General. |
| Multimedia |
Total Ratings:
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$a Addressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.
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| Summary | Addressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation. |
| Contents | chapter Introduction: Telling Art’s Time / part PART I Historical Time -- chapter 1 Is History to Be Closed, Saved, or Restarted? Considering Efficient Art History / chapter 2 What Time is it in the History of Art? / part PART II Post-colonial Time -- chapter 3 Time Processes in the History of the Asian Modern / chapter 4 Colonial Modern: A Clash of Colonial and Indigenous Chronologies: The Case of India / chapter 5 Artists, Amateurs, and the Pleated Time of Ottoman Modernity / chapter 6 The Time of Translation: Victor Burgin and Sedad Eldem in Virtual Conversation / part PART III Artist’s Time -- chapter 7 Arresting What Would Otherwise Slip Away: The Waiting Images of Jacob Vrel / chapter 8 Twisted Time: Fernando Bryce’s Art of History / part PART IV Narrative Time -- chapter 9 Heterochronies: The Gospel According to Caravaggio / part PART V Ontological Time -- chapter 10 The Phenomenal Sublime: Time, Matter, Image in Mesopotamian Antiquity / chapter 11 Resisting Time: On How Temporality Shaped Medieval Choice of Materials / chapter 12 Sarah Sze’s The Last Garden and the Temporality of Wonder / part PART VI Photographic Time -- chapter 13 Showtime and Exposure Time: The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of Artworks / chapter 14 “Objects Moving are Not Impressed”: Reading into the Blur / |
| Subject | Art History. Time and art. Time in art. ART / Conceptual. ART / History / General. ART / History / General. |
| Multimedia |