An introduction to post-colonial theatre / Brian Crow with Chris Banfield.

Crow, Brian
Call Number
809.2/9358
Author
Crow, Brian, author.
Title
An introduction to post-colonial theatre / Brian Crow with Chris Banfield.
Physical Description
1 online resource (xiv, 186 pages) : digital, PDF file(s).
Series
Cambridge studies in modern theatre
Notes
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Contents
Derek Walcott and a Caribbean theatre of revelation -- August Wilson's theatre of the blues -- Jack Davis and the drama of Aboriginal history -- Wole Soyinka and the Nigerian theatre of ritual vision -- Athol Fugard and the South African 'workshop' play -- Badal Sircar's Third Theatre of Calcutta -- Girish Karnad and an Indian theatre of roots.
Summary
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Added Author
Banfield, Chris, author.
Subject
Drama History and criticism.
Literature and society Developing countries.
Postcolonialism in literature.
IMPERIALISM.
Oppression (Psychology)
Multimedia
Total Ratings: 0
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Summary
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Notes
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Contents
Derek Walcott and a Caribbean theatre of revelation -- August Wilson's theatre of the blues -- Jack Davis and the drama of Aboriginal history -- Wole Soyinka and the Nigerian theatre of ritual vision -- Athol Fugard and the South African 'workshop' play -- Badal Sircar's Third Theatre of Calcutta -- Girish Karnad and an Indian theatre of roots.
Subject
Drama History and criticism.
Literature and society Developing countries.
Postcolonialism in literature.
IMPERIALISM.
Oppression (Psychology)
Multimedia