The cinematic imagination; Indian popular film as social history by Jyotika Virdi
Jyotika Virdi| Call Number | 791.430954 J99C |
| Author | Jyotika Virdi |
| Title | The cinematic imagination; Indian popular film as social history by Jyotika Virdi |
| Publication | Ranikhet: Permennt Black , 2003 |
| Physical Description | xi, 258p |
| Contents | Dramatists, novelists, and the motion picture -- George Bernard Shaw and Luigi Pirandello -- Stage and Screen - Some Basic Distinctions -- Eugune O'Neill, Expressionism, and Film -- Mixed-Media - From Bertolt Brecht to Happenings -- Tennessee Williams after The Celluloid Brassiere -- Gertrude Stein -- Arthur Miller-Death of a Salesman, The Misfits, and After the Fall -- The Theater of the Absurd and Film - Eugene Inesco and Samuel Beckett -- Critique of the Cinematic Drama and Present Trends -- Novelists and the Motion Picture -- Page and Scrren: Some Basic Distinctions -- Theodore Dreiser in "Hooeyland" -- The Stream-of-Conciousness Novel and Film, I - James Joyce -- The Stream-of-Conciousness Novel and Film, II - Virginia Woolf -- The Stream-of-Conciousness Novel and Film, III - William Faulkner -- John Dos Passos and the Camera-Eye - Manhattan Transfer and the U.S.A. -- F. Scott Fitzgerald, Hollywood, and The Last Tycoon -- Nathanael West-The Pictorial Eye in Locust-Land -- Thomas Wolfe and Robert Penn Warren -- Ernest Hemingway-Cinematic Structure in Fiction and Problems in Adaptation -- Graham Greene and the Silver Screen -- John Steinbeck, Point of View, and Film -- Jean-Paul Sartre and Henry Miller -- Alain Robbe-Grillet, the New Novel, and the New Cinema -- Critique of the Cinematic Novel and Present Trends. |
| Subject | Motion pictures and literature. |
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$a Dramatists, novelists, and the motion picture -- George Bernard Shaw and Luigi Pirandello -- Stage and Screen - Some Basic Distinctions -- Eugune O'Neill, Expressionism, and Film -- Mixed-Media - From Bertolt Brecht to Happenings -- Tennessee Williams after The Celluloid Brassiere -- Gertrude Stein -- Arthur Miller-Death of a Salesman, The Misfits, and After the Fall -- The Theater of the Absurd and Film - Eugene Inesco and Samuel Beckett -- Critique of the Cinematic Drama and Present Trends -- Novelists and the Motion Picture -- Page and Scrren: Some Basic Distinctions -- Theodore Dreiser in "Hooeyland" -- The Stream-of-Conciousness Novel and Film, I - James Joyce -- The Stream-of-Conciousness Novel and Film, II - Virginia Woolf -- The Stream-of-Conciousness Novel and Film, III - William Faulkner -- John Dos Passos and the Camera-Eye - Manhattan Transfer and the U.S.A. -- F. Scott Fitzgerald, Hollywood, and The Last Tycoon -- Nathanael West-The Pictorial Eye in Locust-Land -- Thomas Wolfe and Robert Penn Warren -- Ernest Hemingway-Cinematic Structure in Fiction and Problems in Adaptation -- Graham Greene and the Silver Screen -- John Steinbeck, Point of View, and Film -- Jean-Paul Sartre and Henry Miller -- Alain Robbe-Grillet, the New Novel, and the New Cinema -- Critique of the Cinematic Novel and Present Trends.
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| Contents | Dramatists, novelists, and the motion picture -- George Bernard Shaw and Luigi Pirandello -- Stage and Screen - Some Basic Distinctions -- Eugune O'Neill, Expressionism, and Film -- Mixed-Media - From Bertolt Brecht to Happenings -- Tennessee Williams after The Celluloid Brassiere -- Gertrude Stein -- Arthur Miller-Death of a Salesman, The Misfits, and After the Fall -- The Theater of the Absurd and Film - Eugene Inesco and Samuel Beckett -- Critique of the Cinematic Drama and Present Trends -- Novelists and the Motion Picture -- Page and Scrren: Some Basic Distinctions -- Theodore Dreiser in "Hooeyland" -- The Stream-of-Conciousness Novel and Film, I - James Joyce -- The Stream-of-Conciousness Novel and Film, II - Virginia Woolf -- The Stream-of-Conciousness Novel and Film, III - William Faulkner -- John Dos Passos and the Camera-Eye - Manhattan Transfer and the U.S.A. -- F. Scott Fitzgerald, Hollywood, and The Last Tycoon -- Nathanael West-The Pictorial Eye in Locust-Land -- Thomas Wolfe and Robert Penn Warren -- Ernest Hemingway-Cinematic Structure in Fiction and Problems in Adaptation -- Graham Greene and the Silver Screen -- John Steinbeck, Point of View, and Film -- Jean-Paul Sartre and Henry Miller -- Alain Robbe-Grillet, the New Novel, and the New Cinema -- Critique of the Cinematic Novel and Present Trends. |
| Subject | Motion pictures and literature. |