|
S.No. |
Title |
|
1 |
A History of Communications |
|
2 |
A History of Film Music |
|
3 |
A History of Japanese Theatre |
|
4 |
A History of the Berliner Ensemble |
|
5 |
A History of Theatre in Spain |
|
6 |
A Philosophy of Cinematic Art |
|
7 |
A Student's Writing Guide |
|
8 |
American Documentary Film |
|
9 |
American Independent Cinema |
|
10 |
American Postfeminist Cinema |
|
11 |
America's Battle for Media Democracy |
|
12 |
An Alternative Internet |
|
13 |
An Introduction to Post-Colonial Theatre |
|
14 |
August Strindberg: Selected Essays |
|
15 |
Bollywood and Globalization |
|
16 |
Bollywood and Postmodernism |
|
17 |
Breaking the Silence |
|
18 |
Butcher's Copy-editing |
|
19 |
Cinema at the Margins |
|
20 |
Cinema of the Dark Side |
|
21 |
Cinema, Theory, and Political Responsibility in Contemporary Culture |
|
22 |
Cinematic Nihilism |
|
23 |
Citizens, Politics and Social Communication |
|
24 |
Class, Language, and American Film Comedy |
|
25 |
Classical Literature on Screen |
|
26 |
Collective Action in Organizations |
|
27 |
Collective Preferences in Democratic Politics |
|
28 |
Comedy and Cultural Critique in American Film |
|
29 |
Communicating Science |
|
30 |
Communication and Democratic Reform in South Africa |
|
31 |
Comparative Defamation and Privacy Law |
|
32 |
Comparing Media Systems |
|
33 |
Comparing Media Systems Beyond the Western World |
|
34 |
Comparing Political Communication |
|
35 |
Cosmopolitan Communications |
|
36 |
Crime Films |
|
37 |
'Dear BBC' |
|
38 |
Deliberation, Democracy, and Civic Forums |
|
39 |
Digital Diasporas |
|
40 |
Digital Divide |
|
41 |
Digital Media and Political Engagement Worldwide |
|
42 |
Discourse Analysis and Media Attitudes |
|
43 |
Drama Stage and Audience |
|
44 |
Dramaturgy |
|
45 |
Dramaturgy and Dramatic Character |
|
46 |
Edward Albee |
|
47 |
Ethics and the Media |
|
48 |
Evaluating Campaign Quality |
|
49 |
Extreme Cinema |
|
50 |
Film Histories |
|
51 |
Film Noir |
|
52 |
Film Sequels |
|
53 |
Film Structure and the Emotion System |
|
54 |
Film, Mobility and Urban Space |
|
55 |
From Media Systems to Media Cultures |
|
56 |
Games, Learning, and Society |
|
57 |
Greek Theatre Performance |
|
58 |
Greek Tragedy After the Fifth Century |
|
59 |
Hearing the Other Side |
|
60 |
Holocaust Drama |
|
61 |
Ibsen, Scandinavia and the Making of a World Drama |
|
62 |
India's State-run Media |
|
63 |
Information and American Democracy |
|
64 |
Interpreting the Moving Image |
|
65 |
Journalists in Film |
|
66 |
Lost in Translation |
|
67 |
Making Publics, Making Places |
|
68 |
Meaning in the Media |
|
69 |
Media and Memory |
|
70 |
Media and Performance |
|
71 |
Media and the Path to Peace |
|
72 |
Media Audiences |
|
73 |
Media Commercialization and Authoritarian Rule in China |
|
74 |
Media Concentration and Democracy |
|
75 |
Media Discourse |
|
76 |
Media Ethics and Global Justice in the Digital Age |
|
77 |
Media Fortunes, Changing Times |
|
78 |
Media Policy and Globalization |
|
79 |
Media Regulation, Public Interest and the Law |
|
80 |
Media, Conflict, and the State in Africa |
|
81 |
Media, Markets, and Democracy |
|
82 |
Mediated Politics |
|
83 |
Melodrama and Asian Cinema |
|
84 |
Memory and the Moving Image |
|
85 |
Moving Images |
|
86 |
Music Video and the Politics of Representation |
|
87 |
Music, Sound and Multimedia |
|
88 |
Narrative and Media |
|
89 |
Negotiating Dissidence |
|
90 |
New Korean Cinema |
|
91 |
New Television, Old Politics |
|
92 |
News Talk |
|
93 |
On Beckett |
|
94 |
Online Journalism |
|
95 |
Piracy in the Indian Film Industry |
|
96 |
Political Communication and Mobilisation |
|
97 |
Political Journalism in Comparative Perspective |
|
98 |
Politics, Media and Campaign Language |
|
99 |
Race, Media, and the Crisis of Civil Society |
|
100 |
Recycled Culture in Contemporary Art and Film |
|
101 |
So You Want To Be A Journalist? |
|
102 |
Strategies of Political Theatre |
|
103 |
Television in Singapore |
|
104 |
Temporality and Film Analysis |
|
105 |
The Cambridge Companion to Alfred Hitchcock |
|
106 |
The Cambridge Companion to Brecht |
|
107 |
The Cambridge Companion to Chekhov |
|
108 |
The Cambridge Companion to Creative Writing |
|
109 |
The Cambridge Companion to David Mamet |
|
110 |
The Cambridge Companion to Film Music |
|
111 |
The Cambridge Companion to Greek and Roman Theatre |
|
112 |
The Cambridge Companion to Greek Tragedy |
|
113 |
The Cambridge Companion to Harold Pinter |
|
114 |
The Cambridge Companion to Performance Studies |
|
115 |
The Cambridge Companion to Theatre History |
|
116 |
The Cambridge Introduction to Performance Theory |
|
117 |
The Cambridge Introduction to Scenography |
|
118 |
The Cambridge Introduction to Theatre and Literature of the Absurd |
|
119 |
The Cambridge Introduction to Theatre Directing |
|
120 |
The Cambridge Introduction to Theatre Studies |
|
121 |
The Cinema of Satyajit Ray |
|
122 |
The Editor's Companion |
|
123 |
The Emoji Revolution |
|
124 |
The Ethnographer's Eye |
|
125 |
The Films of Adoor Gopalakrishnan |
|
126 |
The Films of Woody Allen |
|
127 |
The Handbook of Journal Publishing |
|
128 |
The Historian and Film |
|
129 |
The Hollywood Meme |
|
130 |
The 'I' of the Camera |
|
131 |
The Incurable-Image |
|
132 |
The Internet and Democratic Citizenship |
|
133 |
The People’s Paper |
|
134 |
The Politics of Misinformation |
|
135 |
The Poverty of Television |
|
136 |
The Public Sphere |
|
137 |
The Right To Parody |
|
138 |
The Science Communication Challenge |
|
139 |
Theatre Matters |
|
140 |
Theatre, Society and the Nation |
|
141 |
Thinking through Television |
|
142 |
Towards a Feminist Cinematic Ethics |
|
143 |
Woman as Spectator and Spectacle |
|
144 |
Writing and the Modern Stage |
|
145 |
Writing Successful Academic Books |
|
146 |
Young People and the Future of News |
