Desecration and the politics of ‘image pollution’: Ambedkar statues and the ‘sculptural encounter’ in India

dc.contributor.author Nayar, Pramod K.
dc.date.accessioned 2022-03-27T01:51:26Z
dc.date.available 2022-03-27T01:51:26Z
dc.date.issued 2020-01-02
dc.description.abstract This essay examines the culture of statue-desecration in contemporary India. The focus is the desecration of Ambedkar statues. The first section argues that the installation of Ambedkar statues is a process of sacralising, reconfiguring public histories and modernities, while instituting a new iconicity. In section two, the essay moves on to examining the ‘profane aesthetics’ of desecration. This includes studying the emergence of a ‘counter-spectacle’ in the political culture jamming of desecration, the creation of a culture of image pollution and the making of an affrontier.
dc.identifier.citation Celebrity Studies. v.11(1)
dc.identifier.issn 19392397
dc.identifier.uri 10.1080/19392397.2020.1704389
dc.identifier.uri https://www.tandfonline.com/doi/full/10.1080/19392397.2020.1704389
dc.identifier.uri https://dspace.uohyd.ac.in/handle/1/4198
dc.subject B.R. Ambedkar
dc.subject desecration
dc.subject profane aesthetics
dc.subject public modernity
dc.subject statues
dc.title Desecration and the politics of ‘image pollution’: Ambedkar statues and the ‘sculptural encounter’ in India
dc.type Journal. Article
dspace.entity.type
Files
License bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
license.txt
Size:
1.71 KB
Format:
Plain Text
Description: